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7. Constructing the Pop Diva: Alla Pugacheva, Sofia Rotaru, and the Celebrity Musical of the 1970s–1980s

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© 2023 Academic Studies Press, Boston, USA

© 2023 Academic Studies Press, Boston, USA

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgements ix
  4. Introduction 1
  5. Part One: Polish Film Musicals
  6. 1. Early Polish-Language Musicals: The Tug of War between Genre Film and Cabaret 39
  7. 2. Between the Market and the Mirror: Stanisław Bareja’s Marriage of Convenience 82
  8. 3. Paweł Pawlikowski’s Cold War: Music, Space, and Identity 116
  9. 4. The Allure of Agnieszka Smoczyńska’s Lure (2015) as an Intrepid Feminist Hybrid 141
  10. Part Two: Russian Film Musicals
  11. 5. Perplexing Popularity: Ivan Pyr′ev’s Kolkhoz Musical Comedy Films 173
  12. 6. The Thaw as Carnival: Soviet Musical Comedy after Stalin 220
  13. 7. Constructing the Pop Diva: Alla Pugacheva, Sofia Rotaru, and the Celebrity Musical of the 1970s–1980s 248
  14. 8. Postmodernity, Freedom, and Authenticity in Kirill Serebrennikov’s Leto (2018) 274
  15. Filmography 299
  16. Index 301
"Singing a Different Tune"
This chapter is in the book "Singing a Different Tune"
https://doi.org/10.1515/9798887191287-009

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgements ix
  4. Introduction 1
  5. Part One: Polish Film Musicals
  6. 1. Early Polish-Language Musicals: The Tug of War between Genre Film and Cabaret 39
  7. 2. Between the Market and the Mirror: Stanisław Bareja’s Marriage of Convenience 82
  8. 3. Paweł Pawlikowski’s Cold War: Music, Space, and Identity 116
  9. 4. The Allure of Agnieszka Smoczyńska’s Lure (2015) as an Intrepid Feminist Hybrid 141
  10. Part Two: Russian Film Musicals
  11. 5. Perplexing Popularity: Ivan Pyr′ev’s Kolkhoz Musical Comedy Films 173
  12. 6. The Thaw as Carnival: Soviet Musical Comedy after Stalin 220
  13. 7. Constructing the Pop Diva: Alla Pugacheva, Sofia Rotaru, and the Celebrity Musical of the 1970s–1980s 248
  14. 8. Postmodernity, Freedom, and Authenticity in Kirill Serebrennikov’s Leto (2018) 274
  15. Filmography 299
  16. Index 301
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