II. FROM  FROTTOLA TO MADRIGAL:THE CHANGING PATTERN OF SECULAR ITALIAN VOCAL MUSIC

Walter Η. Rubsamen

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II. FROM FROTTOLA TO MADRIGAL:THE CHANGING PATTERN OF SECULAR ITALIAN VOCAL MUSIC

Walter Η. Rubsamen

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This chapter is in the book Chanson and Madrigal, 1480-1530

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Rubsamen, Walter Η.. "II. FROM FROTTOLA TO MADRIGAL:THE CHANGING PATTERN OF SECULAR ITALIAN VOCAL MUSIC". Chanson and Madrigal, 1480-1530: Studies in Comparison and Contrast. A Conference at Isham Memorial Library, September 13-14, 1961, edited by James Haar, Cambridge, MA and London, England: Harvard University Press, 1964, pp. 51-87. https://doi.org/10.4159/harvard.9780674284579.c4

Rubsamen, W. (1964). II. FROM FROTTOLA TO MADRIGAL:THE CHANGING PATTERN OF SECULAR ITALIAN VOCAL MUSIC. In J. Haar (Ed.), Chanson and Madrigal, 1480-1530: Studies in Comparison and Contrast. A Conference at Isham Memorial Library, September 13-14, 1961 (pp. 51-87). Cambridge, MA and London, England: Harvard University Press. https://doi.org/10.4159/harvard.9780674284579.c4

Rubsamen, W. 1964. II. FROM FROTTOLA TO MADRIGAL:THE CHANGING PATTERN OF SECULAR ITALIAN VOCAL MUSIC. In: Haar, J. ed. Chanson and Madrigal, 1480-1530: Studies in Comparison and Contrast. A Conference at Isham Memorial Library, September 13-14, 1961. Cambridge, MA and London, England: Harvard University Press, pp. 51-87. https://doi.org/10.4159/harvard.9780674284579.c4

Rubsamen, Walter Η.. "II. FROM FROTTOLA TO MADRIGAL:THE CHANGING PATTERN OF SECULAR ITALIAN VOCAL MUSIC" In Chanson and Madrigal, 1480-1530: Studies in Comparison and Contrast. A Conference at Isham Memorial Library, September 13-14, 1961 edited by James Haar, 51-87. Cambridge, MA and London, England: Harvard University Press, 1964. https://doi.org/10.4159/harvard.9780674284579.c4

Rubsamen W. II. FROM FROTTOLA TO MADRIGAL:THE CHANGING PATTERN OF SECULAR ITALIAN VOCAL MUSIC. In: Haar J (ed.) Chanson and Madrigal, 1480-1530: Studies in Comparison and Contrast. A Conference at Isham Memorial Library, September 13-14, 1961. Cambridge, MA and London, England: Harvard University Press; 1964. p.51-87. https://doi.org/10.4159/harvard.9780674284579.c4

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Chapters in this book

Frontmatter i
PREFACE v
CONTENTS vii
INTRODUCTORY ADDRESS xi
CHAIRMAN’S PREFACE xiii
ABBREVIATIONS xvi
I. THE GENESIS OF A STYLE:THE PARISIAN CHANSON, Ι500-1530 1
II. FROM FROTTOLA TO MADRIGAL:THE CHANGING PATTERN OF SECULAR ITALIAN VOCAL MUSIC 51
III. LES GOÛTS RÉUNIS OR TH E WORLDS OF THE MADRIGAL AND THE CHANSON CONFRONTED 88
MUSICAL EXAMPLES. INDEX 139
INDEX 257

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https://doi.org/10.4159/harvard.9780674284579.c4

Chapters in this book

Frontmatter i
PREFACE v
CONTENTS vii
INTRODUCTORY ADDRESS xi
CHAIRMAN’S PREFACE xiii
ABBREVIATIONS xvi
I. THE GENESIS OF A STYLE:THE PARISIAN CHANSON, Ι500-1530 1
II. FROM FROTTOLA TO MADRIGAL:THE CHANGING PATTERN OF SECULAR ITALIAN VOCAL MUSIC 51
III. LES GOÛTS RÉUNIS OR TH E WORLDS OF THE MADRIGAL AND THE CHANSON CONFRONTED 88
MUSICAL EXAMPLES. INDEX 139
INDEX 257

II. FROM FROTTOLA TO MADRIGAL:THE CHANGING PATTERN OF SECULAR ITALIAN VOCAL MUSIC

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