Chapter
Open Access
The Movie Theatre Audience
-
Giovanni Fossi
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- The Throb of the Cinematograph 11
-
Section 1
- Cinema and Modern Life 35
- Cinematography 42
- The Philosophy of Cinematograph 47
- Summertime Spectacles: The Cinema 51
- Why I Love the Cinema 55
- The Movie Theatre Audience 57
- The Art of Celluloid 60
- The Triumph of the Cinema 66
- The Death of the Word 75
-
Section 2
- Film in Transition 83
- The Museum of the Fleeting Moment 91
- The Woman and the Cinema 95
- Darkness and Intelligence 98
- A Spectatrix is Speaking to You 102
- Motion Pictures in Provincial Towns 105
- Cinematic Psychology 111
- The Cinematograph Doesn’t Exist 117
- The Cinema: School of the Will and of Energy 123
- The Close-up 135
- The Soul of Titles 140
-
Section 3
- Cinema at War 147
- The War, from Up Close 156
- That Poor Cinema... 160
- Families of Soldiers 164
- War for the Profit of Industry 168
- The War and Cinematograph 171
- Max Linder Dies in The War 173
- Cinema of War 176
-
Section 4
- Politics, Morality, Education 183
- The Motion Pictures and Education 197
- The Intuitive Method in Religious Education 205
- The Cinema and Its Influence on the Education of the People 213
- The Cinematograph in the Schools 217
- Speech at the People’s Theatre 224
- Cinema for the Cultivation of the Intellect 237
- Educational Cinema 244
-
Section 5
- Film, Body, Mind 255
- Collective Psychology 268
- About Some Psychological Observations Made During Film Screenings 273
- Concerning the Effects of Film Viewing on Neurotic Individuals 278
- The Ongoing Battle between Gesture and Word 286
- The Cinematograph in the Field of Mental Illness and Criminality: Notes 290
- Cinema and Juvenile Delinquency 297
-
Section 6
- The Aesthetic Side 307
- Problems of Art: Expression and Movement in Sculpture 318
- Scenic Impressionism 321
- The Aesthetics of Cinema 325
- The Poetics of Cinema 329
- Manifesto for a Cinematic Revolution 333
- Theatre and the Cinema 339
- The Futurist Cinematography 341
- In the Beginning Was Sex… 346
- Rectangle-Film (25 x 19) 348
- The Proscenium Arch of My Cinema 353
- My Views on the Cinematograph 359
- Meditations in the Dark 368
-
Section 7
- Theory in a Narrative Form 373
- Colour Film 381
- At the Cinema 386
- A Phantom Pursued 390
- Miopetti’s Duel 398
- Pamela-Films 405
- Feature Film 411
- Me, Rirì, and Love in Slippers 421
- A Cinematic Performance 427
- Life, a Glass Theatre 434
- The Shears’ Reflection 444
- Sources 450
- Author Biographies 455
- General Bibliography 490
- Acknowledgements 505
- About the Editors 507
- Index of Names 508
- Index of Concepts 513
- Index of Films 517
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- The Throb of the Cinematograph 11
-
Section 1
- Cinema and Modern Life 35
- Cinematography 42
- The Philosophy of Cinematograph 47
- Summertime Spectacles: The Cinema 51
- Why I Love the Cinema 55
- The Movie Theatre Audience 57
- The Art of Celluloid 60
- The Triumph of the Cinema 66
- The Death of the Word 75
-
Section 2
- Film in Transition 83
- The Museum of the Fleeting Moment 91
- The Woman and the Cinema 95
- Darkness and Intelligence 98
- A Spectatrix is Speaking to You 102
- Motion Pictures in Provincial Towns 105
- Cinematic Psychology 111
- The Cinematograph Doesn’t Exist 117
- The Cinema: School of the Will and of Energy 123
- The Close-up 135
- The Soul of Titles 140
-
Section 3
- Cinema at War 147
- The War, from Up Close 156
- That Poor Cinema... 160
- Families of Soldiers 164
- War for the Profit of Industry 168
- The War and Cinematograph 171
- Max Linder Dies in The War 173
- Cinema of War 176
-
Section 4
- Politics, Morality, Education 183
- The Motion Pictures and Education 197
- The Intuitive Method in Religious Education 205
- The Cinema and Its Influence on the Education of the People 213
- The Cinematograph in the Schools 217
- Speech at the People’s Theatre 224
- Cinema for the Cultivation of the Intellect 237
- Educational Cinema 244
-
Section 5
- Film, Body, Mind 255
- Collective Psychology 268
- About Some Psychological Observations Made During Film Screenings 273
- Concerning the Effects of Film Viewing on Neurotic Individuals 278
- The Ongoing Battle between Gesture and Word 286
- The Cinematograph in the Field of Mental Illness and Criminality: Notes 290
- Cinema and Juvenile Delinquency 297
-
Section 6
- The Aesthetic Side 307
- Problems of Art: Expression and Movement in Sculpture 318
- Scenic Impressionism 321
- The Aesthetics of Cinema 325
- The Poetics of Cinema 329
- Manifesto for a Cinematic Revolution 333
- Theatre and the Cinema 339
- The Futurist Cinematography 341
- In the Beginning Was Sex… 346
- Rectangle-Film (25 x 19) 348
- The Proscenium Arch of My Cinema 353
- My Views on the Cinematograph 359
- Meditations in the Dark 368
-
Section 7
- Theory in a Narrative Form 373
- Colour Film 381
- At the Cinema 386
- A Phantom Pursued 390
- Miopetti’s Duel 398
- Pamela-Films 405
- Feature Film 411
- Me, Rirì, and Love in Slippers 421
- A Cinematic Performance 427
- Life, a Glass Theatre 434
- The Shears’ Reflection 444
- Sources 450
- Author Biographies 455
- General Bibliography 490
- Acknowledgements 505
- About the Editors 507
- Index of Names 508
- Index of Concepts 513
- Index of Films 517